Tuesday 29 September 2020

THE TRIAL OF THE CHICAGO 7

Recommended. Right in the wake of civilian protests in the US, Belarus, Poland, name it, comes this brilliant courtroom drama about real life activists put on trial in 1969. With a star-studded cast. Not only is it thoroughly engaging which is typical for the genre, it contains also lots of humour, e.g. defendants taking the mickey out of the judge and saying "Overruled" in unison with him. It's fast-paced, forcing you to stay alert all the time not to miss any gem as it sparkles with sharp responses. Perfectly matching music. Pictures from the riots contain inserted black and white footage which is even more brutal than the staged part. It tugs on your heartstrings at particularly one morally frightening point. But most of all it's a brainy puzzle of how to win a set-up case. Based on facts which pretty much says how it ends but even if you're familiar with the case, the movie consists of top-notch performances based on an awesome script.

JAK ZOSTAC GWIAZDA

Recommended. It's all professionally, world-standard shot and recorded, all things technical are excellent here. The film may be tacky, especially music, but, as it's put in the picture, TV is all about tacky. What's more, I couldn't resist enjoying it. It's truly light entertainment, ridiculing the celebrity world. It's constantly tongue-in-cheek. Every line is to the point. It has little undertones of how the show business rollercoaster elevates people and then drops from heights. Fine performances all around, both from comedy veterans and from newbies. Wojciech Solarz, virtually unknown but extremely talented, plays a hapless PE teacher.
The costume designer has also demonstrated a great eye for detail: first the girl wears a check shirt, then her father is seen wearing check trousers, finally the producer appears in a check suit. Lots of amusing scenes along the end credits and one post-credit.

The actors present at the screening were as full of themselves as in the film. They didn't want to cover their wannabe faces behind masks so I stayed away from them.
Tomasz Karolak, who's slimmer in this film that in his previous one, has further lost weight since the shooting and is surprisingly even handsome in real life nowadays.

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