ARTEKINO FESTIVAL 2023
SPLENDIDE HOTEL: UN VOYANT EN ENFER (SPLENDID HOTEL)
Watchable. Based on an obscure period in poet Arthur Rimbaud's life, this poetic drama mixes history when travel wasn't common and towns tended to be quiet, with modern day pictures and visual effects or music. You learn he tried to poison someone's dogs out of frustration, that he was religious, that he longed for family life instead of travel. It's a picture of waiting, for over 10 months. Also a lesson of life which was a turning point for him, not just because of his musings, but because it may have ruined his health and certainly didn't bring him expected wealth - an unusual set of events made him return to square one but more experienced and humbled. Occasional theatricality of set decor and mediocre acting are the downsides of this picture.
SUNDAYS
Watchable. A fully professional documentary, thorough, even unduly filled with conversations at times, some of them had better be cut out, but about a very ordinary person. The only justification of it could be it deals with fate, or, in religious terms, God's plan for you. Does God truly have a plan for everyone? Seems true for this priest. Still, there's nothing special about him to tell the world, he's just the narrator's family member.
VAMOS A LA PLAYA
Switched off. Two girls and one boy go to Cuba to find the boy's brother doing research on manatees. Little Cuba, no manatees, instead silly chatter, the most ridiculous about sex, wanking too. Why would I watch that? Ah, and one of the girls repeatedly talks directly to the camera like in some kind of reality show.
DEN SISTE VAREN (SISTER, WHAT GROWS WHERE LAND IS SICK?)
Switched off. This psychological drama consists of silly chit-chat and, on top of that blabber, a narrator reading one of the teenager's diaries where she talks about her mental problems.
PUFFIN ROCK AND THE NEW FRIENDS
Recommended. This Irish animation is a cute, heart-warming tale for young children. Not only is it filled with love but it also teaches kids some environmental lessons.
AFRYKAMERA 2023 ONLINE
LE SPECTRE DE BOKO HARAM (THE SPECTRE OF BOKO HARAM)
Watchable. An observational etnographic documentary about a village in Cameroon, near the Nigerian border. Colourful pigeons on the ground, white birds in the trees, lizzards on the walls, men resting on blankets outside, an elementary school teaching French, a woman pounding millet. Soldiers in the background. It's centred around kids. Some turn out to be former child soldiers, runaways from Boko Haram. Their accounts mix with magic. Magic, Christianity and Islam mix in the culture as exemplified by the case of a child ill with malaria treated with chicken blood mixed with bark. Too much focus on children, no commentary, little to the point.
THE BRIDE
Watchable. For Rwandan women violence didn't end with the war. While the drama sees the aftermath, e.g. people who have lost their entire families and who have moved to a house leftover after other exterminated people, the custom of abducting a woman and making her a bride via rape is rife. The film is slow-paced and looks too theatrical at times. But it's engaging not only in terms of action but also relationships there and then since part is local culture and part coping with the tragic past.
ARTEKINO FESTIVAL 2023
РИБЕНА КОСТ (FISHBONE)
Switched off. A few separate parallel stories. No idea what some of them are about.
MI VACIO Y YO (MY EMPTINESS AND I)
Watchable. A colourful production with occasional good music Raphaelle's story tells you all you need to know about what it's like to be an m to f trans looking for love. The romantic search part is totally engaging, the trans layer is interesting enough but overtalked at times.
A SIBILA (THE SIBIL)
Switched off. A narrator and all characters talk in a lofty, stilted, monotonous way, often about abstract things.
NIEMAND IST BEI DEN KALBERN (NO ONE'S WITH THE CALVES)
Switched off. A countryside girl picks up men, wanks, drinks, smokes, her father gets wasted.
The festival had 'very large' subtitles actually legible from a distance which was great. Unfortunately they'd often blend into light coloured backgrounds. Movies would stutter so badly they took half longer than their official running time. But most were of meagre quality anyway.